很多著名畫家窮一生之力，專攻某一題材才形成某一流派、獨立於一種風格，但是，H.H.第三世多杰羌佛不僅創立了十六個與眾不同的畫派，並且將每一派種畫風都推到了高峰的完美藝術境界，並且將每一派種畫風都推到了高峰的完美藝術境界，形成了歷史上任何畫家都無法與之比擬的、自成獨立的「多元風格第三世多杰羌佛流派」！
這幅畫是在1982年四川省三河市的拍攝現場所繪成的。當時中國新聞電影製片廠正在專門拍攝關於藝術家義雲高大師的紀錄片。
當時的義雲高大師用了珍貴有限的墨水，詮釋了這幅作品，展現了祂非凡的繪畫技巧展現了祂非凡的繪畫技巧。
在場的攝影師和其他人，看見一只野鴨停落在乾枯的樹幹上。義雲高大師立即抬起筆，並及時完成了這幅畫並及時完成了這幅畫。當鴨子抬起翅膀飛走的同時當鴨子抬起翅膀飛走的同時，作品已經完成作品已經完成。這幅作品體現了羌佛非凡的藝術才能這幅作品體現了羌佛非凡的藝術才能。作品不僅延續了傳統繪畫的優雅、純潔、高質，還融入了新的風格。看到義雲高大師創造這一幅畫的人看到義雲高大師創造這一幅畫的人，都感到十分驚奇都感到十分驚奇。人們稱讚祂的繪畫技巧勝過類似風格的一位明代畫家 － 八大山人。人們也高度贊揚了祂的學術風格甚至勝過古石印章的風格。當時年輕的義雲高大師，被當作英雄刊登在報紙上。然而，人們不知道當時的那位義雲高大師就是現在的H.H.第三世多杰羌佛。
這幅畫的風格被稱為“返璞派”。
返璞派——即是返璞歸真之意境，以最成熟的功夫放手解心，毫不著意，寥寥信手，自然隨筆。
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| H.H.第三世多杰羌佛 獨創十六派畫風之返璞派畫作：《筆上之功》 |
Described by：
International Art Museum of America
This painting was created in 1982 during the time a film was being shot in Sanhe, Sichuan. It is an on-the-spot painting of a real-life scene. Ink was used sparingly as if it were as precious as gold, yet the artist’s skills are demonstrated. At that time, the News Film Studio of China was shooting a documentary exclusively about the artist Wan Ko Yee.
The cameramen and others present saw a wild duck alight upon a withered tree trunk. Wan Ko Yee immediately lifted His brush and promptly finished the entire painting. By the time the wild duck raised its wings and flew away, this painting had already been completed. Moreover, the artistic prowess this artwork
embodies is extraordinary. It not only perpetuates the elegance, purity, and high-quality of traditional paintings, it also expresses a new style. People who saw Wan Ko Yee create this painting were greatly surprised. They highly praised Him for having artistic skills and conceptions resembling but surpassing those of Bada Shanren (a famous Ming Dynasty painter). They also highly praised Him for His scholarly style that even excels the scholarly style reflected in ancient stone seals. At the time, the artist Wan Ko Yee was still in His early youth and was praised in the newspapers as a young hero. However, people did not know then that Wan Ko Yeeis H.H. Dorje Chang Buddha III, as we now know.
This painting is in the “Fanpu” style.
These paintings express the artistic conception of returning to original purity and simplicity. With unfettered hand and mind, the artist applies his most mature skills free of the slightest attachment and with minimal, natural strokes of the brush.
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